There’s no drama without conflict – and there’s no conflict like a good, ongoing battle between hero and villain (or, in the case of my next novel, heroine and villain).
I’ve been thinking about this a lot. I’m giving my villain a Point of View, so I need to get to know him as well as I know my heroine. Here are a few things to consider:
- What has shaped him? Was he bullied as a child? Ignored? Abused? Does he have low self esteem that has to be bolstered through finding power over others?
- What is his goal? Does he desire wealth? Status? Recognition? Respect?
- Is he a rounded character? Very few people are either all good or all bad – so what are his strong points? Can he be charming? Does he really love someone – more than he loves himself? Can he show kindness?
- Am I showing his good side? It’s important that my readers understand him and don’t feel he’s one-dimensional BUT … oooh! He could be evil and ENJOY being evil!
- Is he as strong as my heroine? He has to be as accomplished, as clever, as interesting as she is – in other words, he has to be a worthy opponent and she’ll have to think long and hard about how to get the better of him (if she can!
- How does he justify his actions? Many villains believe they are the real heroes, that they are boxed into a corner because of x, y or z; that they ‘had no choice’ when doing something wrong; that the end they believe in justifies the means they employ to get there.
There are many really interesting blogs and articles out there on villains – clearly, they fascinate people. One post made the point that villains cause heroes to question their own goals and motivations, even force them to behave a little badly themselves in order to achieve their (morally justified) ends. ‘Villainy leaves a stain,’ says Melinda Salisbury https://www.writersandartists.co.uk/writers/advice/876/dedicated-genre-advice/writing-ya/ .
Another writer,Jerry Jenkins, advises, ‘Tap into your dark side long enough to know what makes a good villain tick.’ https://www.jerryjenkins.com/makes-great-villain-checklist-writing-good-bad-guy/ For example, take a look at the bit you always try to pretend isn’t there (that little lie about being ill so you didn’t have to go to work, the phone call you ignored from a difficult friend because you couldn’t be bothered listening to her problems; the antisocial behaviour you didn’t report because it was just going to take too much time or effort.
Villains should have an element of tragedy about them, says John LaFolette https://www.theodysseyonline.com/what-makes-good-villain. They’re simply fallible human beings.
My villain is certainly fallible – but then, so is my heroine. I going to have to make sure my reader knows which is which!