Deadlines – from a traditional author’s perspective

Even if it doesn’t actually tick – the clock is always there.

Flowing on from last weeks post about deadlines from an indie author’s viewpoint, here are some thoughts from the other side of the spectrum.

I am a traditionally published author… and I love a deadline. I mean, seriously love them.

Maybe it dates back to my years as a TV journalist. The nightly news went on air at five or six or seven o’clock, according to where I was working. And whatever story I was preparing for that show, if it wasn’t ready on time, it didn’t go on air. The next day, there would be more news. Yesterday’s story would simply be forgotten and all that work would be for nothing. So I very quickly learned the importance of a deadline and in 20 years, I only missed one (and that wasn’t my fault – but that’s a different story).

So – a deadline is a good thing.

Two deadlines? That’s a bit harder, but still do-able with a bit of planning. A lot of publishers these days like at least one full novel and one novella from every author in a year.

Three overlapping deadlines? That’s really, really hard work and likely to induce stress and much need for chocolate or red wine – or possibly both.

And anyone who accepts four deadlines is a crazy person. Seriously crazy. This is usually linked to writing in more than one genre of novel under more than one name. (Guilty as charged Your Honour.)

When I look at my writing schedule, this is what I see:

  1. New Australian novel to be go my agent by September 30th
  2. September or October – edits for book number 10, due to be released in January 2017 (under another pen name).
  3. Something called “the New York Novel”, which I have promised my agent I will start writing before Christmas and finish by next summer. The END of next summer (she says loudly, hoping that’s true)
  4. A follow up to book 10, due for release in January 2019, which must be started in September/October and be in the publisher’s hands by June next year, with edits for that probably around the end of summer (see point 3).

(Did you notice how I combined a couple of deadlines in the last two? If I hadn’t, that would be five/six deadlines. And no-one their right mind ever takes on five/six deadlines, because that’s just impossible.)

So – how am I going to do all this?

Research can leave you a bit overloaded.

I usually write a minimum of 1,000 words a day. 1,500 words is normally a good day. That’s about 8,000 words in a week. It might not sound like a lot – after all there are more than 600 words in this post. But there’s research and planning and thinking through plot possibilities. Plus of course there is real life, which often includes a day job.

In the past few weeks, I have been inspired by all these deadlines. Yes. Definitely inspired. It sounds so much better than terrified.

I have been writing as much as 3,000 words per day. Sometimes more. And as always when the words are flowing that easily, they are pretty good words. Of course they will still need reworking and polishing and editing, but they are right there on the page. There is also the small matter of going back and changing ‘loko’ into ‘look’ and trying to figure out what ‘naviess’ is supposed to be. I don’t type well when I type quickly.

When I’m this terrified  inspired, a few things have to give way to make those deadlines. These include ironing, laundry (except in dire emergencies), gardening, exercise and being social. As for tidying the house… well, best not think about that.

In about three days, I expect to finish the new Australian novel – with the working title of The Homestead. At that point, my level of terror will subside just a little. But the funny thing about all of this is that I love it. I cannot think of anything else I would rather be doing. Maybe this is the writer’s equivalent of the adrenaline rush that sportsmen and actors and surgeons and stock traders get when things go well and fear is replaced by a sense of accomplishment.

In three or four weeks, I will be able to cross off the first deadline in my list, so maybe I could think about adding that Christmas novella….. after all, I wouldn’t like to run out of deadlines – and inspiration.

Deadlines – an indie author’s perspective

Deadlines – you think when you’re an indie writer, you’ll be free of them. When I left magazine publishing, I was only too happy to escape the mounting panic as the dreaded date approached, production managers shrieking for copy, editors making last minute changes, art departments scrabbling to find a picture for that impromptu article just slotted in. Entrepreneur.com has an interesting article on it here.

Time urgency,’ they say, ‘kills attention spans, rational decision-making skills and, at its most acute, the body itself by contributing to factors that lead to heart disease.’ Now if that thought doesn’t cause you stress, I don’t know what would.

Still, deadlines can be both a blessing and a curse to authors. How many writers have taken their own sweet time to craft a masterpiece of a first novel only to find themselves hopelessly blocked and paralyzed by the need to produce a second masterpiece within their publishing contract’s allotted schedule of 12 months? Some like Margaret Mitchell never go on to write another book but for writers who work within the traditional publishing system, the deadline is both a goad to action and the sword of Damocles hanging over their heads.

So if you’re an indie writer, can you put all that behind you? Of course, you could. Most likely no-one’s demanding to see the first draft of your next novel or calling up to check on its progress. Take the week off. Heck, take the month or a whole year off if financial gain or productivity isn’t all that important to you. But still, most of us set targets. If you’re a serious writer, you’ve probably come up with your own discipline. Readers expect a follow-up book and competition is too fierce to make them wait for years. But at least whatever goals you set are your own self-imposed pressure. And when life interferes as it always does – like Lorraine’s husband’s unexpected knee surgery this week or the demands of Pam’s elderly in-laws – you can usually give yourself a little breathing room without feeling like the world is crashing down on your head. And that’s a good thing.

Unless of course you have a blog to write…SaveSave

Summer in Winter, Christmas in August

I’m thrilled that, finally, the announcement has been made that I’ve signed a new three-book deal with Avon Books UK (HarperCollins). Because announcements are never made until all parties have signed the contract, and the contract takes a while to prepare, the agreement was actually reached back in March – and it has nearly killed me not jumping the gun and announcing it myself! But I’m thrilled to continue working with the fantastic Avon team.

The first of the three new books is The Little Village Christmas. The next will be a summer book and the last another set at Christmas. This makes my position as an author ‘seasonal’. Every book will have a seasonal title and cover. You can see that I began exactly this way in my original contract with Avon.

TCP-and-JFTH-for-web

So, what does it involve to write books with such an overt seasonal slant? Frequently, I’m working on a book set in the ‘opposite’ season to the one I’m experiencing. I’m proofing The Little Village Christmas now, reading about snow and ice while sunlight is streaming through my window (if I’m lucky!). I’m thinking about Christmas decorations, raffles and big coats. Avon has been hard at work writing a Christmassy blurb and creating a Christmas cover. Amazon has even sent out the first promotional email (thank you all those who have preordered 🙂 ).

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My paper proofs

On the plus side, the book I’m actually writing is my Summer 2018 book, working title The Summer of Finding Out. I had the huge pleasure of writing a good chunk of it while on my Arte Umbria writing retreat. (NB If you’re interested in joining me on the writing retreat next year you can find information here.) To write a book set in Italy while I was in Italy was a special experience. My hero, Levi, paints the scene I could see from the terrace and I took hundreds of research pix in Orvieto, to which ‘my’ Umbrian town of Monteliberatà will bear some resemblance. After running out my camera battery I sat down for lunch with a couple of lovely people from the course and remained after they’d gone, sipping Orvieto Classico and making notes about what I’d seen, heard and smelled as I’d walked the cobbled streets earlier.

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I have to be honest, I planned my writing schedule around writing about Italy while staying in Italy. I defended it against the necessity to edit The Little Village Christmas and even asked for a couple of days extension to my deadline in case I needed it when I returned to the UK.

When I’ve finished the first draft of The Summer of Finding Out I’ll be returning to The Little Village Christmas in order to perform a few more edits for the German publisher. Then I’ll write a two-part Christmas story for My Weekly, due in by the end of August, and return to The Summer of Finding Out to write the second draft.

All this time, of course, I’m promoting Just for the Holidays, which is my Summer 2017 book! And in the interests of such promotion you might like to know that Just for the Holidays is only 99p on Kindle and Kobo right now …

Whatever books you love and whenever you like them – Happy Reading!