Deadlines – from a traditional author’s perspective

Even if it doesn’t actually tick – the clock is always there.

Flowing on from last weeks post about deadlines from an indie author’s viewpoint, here are some thoughts from the other side of the spectrum.

I am a traditionally published author… and I love a deadline. I mean, seriously love them.

Maybe it dates back to my years as a TV journalist. The nightly news went on air at five or six or seven o’clock, according to where I was working. And whatever story I was preparing for that show, if it wasn’t ready on time, it didn’t go on air. The next day, there would be more news. Yesterday’s story would simply be forgotten and all that work would be for nothing. So I very quickly learned the importance of a deadline and in 20 years, I only missed one (and that wasn’t my fault – but that’s a different story).

So – a deadline is a good thing.

Two deadlines? That’s a bit harder, but still do-able with a bit of planning. A lot of publishers these days like at least one full novel and one novella from every author in a year.

Three overlapping deadlines? That’s really, really hard work and likely to induce stress and much need for chocolate or red wine – or possibly both.

And anyone who accepts four deadlines is a crazy person. Seriously crazy. This is usually linked to writing in more than one genre of novel under more than one name. (Guilty as charged Your Honour.)

When I look at my writing schedule, this is what I see:

  1. New Australian novel to be go my agent by September 30th
  2. September or October – edits for book number 10, due to be released in January 2017 (under another pen name).
  3. Something called “the New York Novel”, which I have promised my agent I will start writing before Christmas and finish by next summer. The END of next summer (she says loudly, hoping that’s true)
  4. A follow up to book 10, due for release in January 2019, which must be started in September/October and be in the publisher’s hands by June next year, with edits for that probably around the end of summer (see point 3).

(Did you notice how I combined a couple of deadlines in the last two? If I hadn’t, that would be five/six deadlines. And no-one their right mind ever takes on five/six deadlines, because that’s just impossible.)

So – how am I going to do all this?

Research can leave you a bit overloaded.

I usually write a minimum of 1,000 words a day. 1,500 words is normally a good day. That’s about 8,000 words in a week. It might not sound like a lot – after all there are more than 600 words in this post. But there’s research and planning and thinking through plot possibilities. Plus of course there is real life, which often includes a day job.

In the past few weeks, I have been inspired by all these deadlines. Yes. Definitely inspired. It sounds so much better than terrified.

I have been writing as much as 3,000 words per day. Sometimes more. And as always when the words are flowing that easily, they are pretty good words. Of course they will still need reworking and polishing and editing, but they are right there on the page. There is also the small matter of going back and changing ‘loko’ into ‘look’ and trying to figure out what ‘naviess’ is supposed to be. I don’t type well when I type quickly.

When I’m this terrified  inspired, a few things have to give way to make those deadlines. These include ironing, laundry (except in dire emergencies), gardening, exercise and being social. As for tidying the house… well, best not think about that.

In about three days, I expect to finish the new Australian novel – with the working title of The Homestead. At that point, my level of terror will subside just a little. But the funny thing about all of this is that I love it. I cannot think of anything else I would rather be doing. Maybe this is the writer’s equivalent of the adrenaline rush that sportsmen and actors and surgeons and stock traders get when things go well and fear is replaced by a sense of accomplishment.

In three or four weeks, I will be able to cross off the first deadline in my list, so maybe I could think about adding that Christmas novella….. after all, I wouldn’t like to run out of deadlines – and inspiration.

Deadlines – an indie author’s perspective

Deadlines – you think when you’re an indie writer, you’ll be free of them. When I left magazine publishing, I was only too happy to escape the mounting panic as the dreaded date approached, production managers shrieking for copy, editors making last minute changes, art departments scrabbling to find a picture for that impromptu article just slotted in. Entrepreneur.com has an interesting article on it here.

Time urgency,’ they say, ‘kills attention spans, rational decision-making skills and, at its most acute, the body itself by contributing to factors that lead to heart disease.’ Now if that thought doesn’t cause you stress, I don’t know what would.

Still, deadlines can be both a blessing and a curse to authors. How many writers have taken their own sweet time to craft a masterpiece of a first novel only to find themselves hopelessly blocked and paralyzed by the need to produce a second masterpiece within their publishing contract’s allotted schedule of 12 months? Some like Margaret Mitchell never go on to write another book but for writers who work within the traditional publishing system, the deadline is both a goad to action and the sword of Damocles hanging over their heads.

So if you’re an indie writer, can you put all that behind you? Of course, you could. Most likely no-one’s demanding to see the first draft of your next novel or calling up to check on its progress. Take the week off. Heck, take the month or a whole year off if financial gain or productivity isn’t all that important to you. But still, most of us set targets. If you’re a serious writer, you’ve probably come up with your own discipline. Readers expect a follow-up book and competition is too fierce to make them wait for years. But at least whatever goals you set are your own self-imposed pressure. And when life interferes as it always does – like Lorraine’s husband’s unexpected knee surgery this week or the demands of Pam’s elderly in-laws – you can usually give yourself a little breathing room without feeling like the world is crashing down on your head. And that’s a good thing.

Unless of course you have a blog to write…SaveSave

Summer in Winter, Christmas in August

I’m thrilled that, finally, the announcement has been made that I’ve signed a new three-book deal with Avon Books UK (HarperCollins). Because announcements are never made until all parties have signed the contract, and the contract takes a while to prepare, the agreement was actually reached back in March – and it has nearly killed me not jumping the gun and announcing it myself! But I’m thrilled to continue working with the fantastic Avon team.

The first of the three new books is The Little Village Christmas. The next will be a summer book and the last another set at Christmas. This makes my position as an author ‘seasonal’. Every book will have a seasonal title and cover. You can see that I began exactly this way in my original contract with Avon.

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So, what does it involve to write books with such an overt seasonal slant? Frequently, I’m working on a book set in the ‘opposite’ season to the one I’m experiencing. I’m proofing The Little Village Christmas now, reading about snow and ice while sunlight is streaming through my window (if I’m lucky!). I’m thinking about Christmas decorations, raffles and big coats. Avon has been hard at work writing a Christmassy blurb and creating a Christmas cover. Amazon has even sent out the first promotional email (thank you all those who have preordered 🙂 ).

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My paper proofs

On the plus side, the book I’m actually writing is my Summer 2018 book, working title The Summer of Finding Out. I had the huge pleasure of writing a good chunk of it while on my Arte Umbria writing retreat. (NB If you’re interested in joining me on the writing retreat next year you can find information here.) To write a book set in Italy while I was in Italy was a special experience. My hero, Levi, paints the scene I could see from the terrace and I took hundreds of research pix in Orvieto, to which ‘my’ Umbrian town of Monteliberatà will bear some resemblance. After running out my camera battery I sat down for lunch with a couple of lovely people from the course and remained after they’d gone, sipping Orvieto Classico and making notes about what I’d seen, heard and smelled as I’d walked the cobbled streets earlier.

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I have to be honest, I planned my writing schedule around writing about Italy while staying in Italy. I defended it against the necessity to edit The Little Village Christmas and even asked for a couple of days extension to my deadline in case I needed it when I returned to the UK.

When I’ve finished the first draft of The Summer of Finding Out I’ll be returning to The Little Village Christmas in order to perform a few more edits for the German publisher. Then I’ll write a two-part Christmas story for My Weekly, due in by the end of August, and return to The Summer of Finding Out to write the second draft.

All this time, of course, I’m promoting Just for the Holidays, which is my Summer 2017 book! And in the interests of such promotion you might like to know that Just for the Holidays is only 99p on Kindle and Kobo right now …

Whatever books you love and whenever you like them – Happy Reading!

 

How do you create a great bad guy?

VilliancThere’s no drama without conflict – and there’s no conflict like a good, ongoing battle between hero and villain (or, in the case of my next novel, heroine and villain).

I’ve been thinking about this a lot. I’m giving my villain a Point of View, so I need to get to know him as well as I know my heroine. Here are a few things to consider:

  1. What has shaped him? Was he bullied as a child? Ignored? Abused? Does he have low self esteem that has to be bolstered through finding power over others?
  2. What is his goal? Does he desire wealth? Status? Recognition? Respect?
  3. Is he a rounded character? Very few people are either all good or all bad – so what are his strong points? Can he be charming? Does he really love someone – more than he loves himself? Can he show kindness?
  4. Am I showing his good side? It’s important that my readers understand him and don’t feel he’s one-dimensional BUT … oooh! He could be evil and ENJOY being evil!
  5. Is he as strong as my heroine? He has to be as accomplished, as clever, as interesting as she is – in other words, he has to be a worthy opponent and she’ll have to think long and hard about how to get the better of him (if she can!
  6. How does he justify his actions? Many villains believe they are the real heroes, that they are boxed into a corner because of x, y or z; that they ‘had no choice’ when doing something wrong; that the end they believe in justifies the means they employ to get there.

There are many really interesting blogs and articles out there on villains – clearly, they fascinate people. One post made the point that villains cause heroes to question their own goals and motivations, even force them to behave a little badly themselves in order to achieve their (morally justified) ends. ‘Villainy leaves a stain,’ says Melinda Salisbury https://www.writersandartists.co.uk/writers/advice/876/dedicated-genre-advice/writing-ya/ .

Another writer,Jerry Jenkins, advises, ‘Tap into your dark side long enough to know what makes a good villain tick.’  https://www.jerryjenkins.com/makes-great-villain-checklist-writing-good-bad-guy/  For example, take a look at the bit you always try to pretend isn’t there (that little lie about being ill so you didn’t have to go to work, the phone call you ignored from a difficult friend because you couldn’t be bothered listening to her problems; the antisocial behaviour you didn’t report because it was just going to take too much time or effort.

Villains should have an element of tragedy about them, says John LaFolette https://www.theodysseyonline.com/what-makes-good-villain. They’re simply fallible human beings.

My villain is certainly fallible – but then, so is my heroine. I going to have to make sure my reader knows which is which!

 

Free Promotion – Update

No More Mulberries - web readyI thought I’d give an update on my No More Mulberries promotion when, for five days, I offered it FREE to download.

I know it seems counter-intuitive to give books away and some authors are opposed to the idea and for a long time so was I. I knew it was something many indie authors did but I really didn’t like the idea of all my hard work being simply given away.

The redoubtable Jackie Weger, founder of eNovel Authors at Work, of which I am a proud member, persuaded me. She took me gently by the hand, pointed her snake gun at me and said, “Do it!”  I did it.

I’m delighted with the result. Over the five days almost 5,000 people downloaded the book, mainly in USA and UK but also in Canada, Australia, India and Italy. Okay, so they didn’t pay me for it but money isn’t everything, is it? I love the idea so many new readers now have a copy of No More Mulberries on their Kindles.

Also, people borrowed the book. This is something I don’t pretend to understand but for some reason people choose to borrow it from Kindle Unlimited rather than simply downloading it. I love it that they do because Amazon actually gives me money every time someone reads a page of a borrowed book. So far these lovely people have read 15,000 pages and climbing.

Reviews from these new readers have started to come in already. So far, they have been lovely, like the one Sally Cronin posted on her Smorgasbord blog as well as Amazon and GoodReads. Since the promotion ended and No More Mulberries returned to full price, paid sales have gone up. I expect they will plateau soon but it’s lovely while it lasts.

Of course, it isn’t just a matter of offering a book for free on Amazon – a fair bit of work is required if anyone is to know about it. Amazon doesn’t do much on that front so it’s up to the author. I booked a few paid ads on sites such as Ereader News Today, Digital Book Today, Great Books Great Deals and Authors Cross Promotion.

Major thanks go to Sally Cronin who promoted the free deal on her blog and to Sue Vincent and Marcia Meara who both let me write guest posts on their blogs, providing me with the opportunity of letting potentially several thousands of people know about No More Mulberries.

And for five days I worked social media – Twitter, Facebook, and LinkedIn – like a demon. The share buttons were red hot! It was exhilarating and exhausting and now I’m getting my head down to write.